Welcome to Mandela Monday, a bi-weekly I, Jak blog series where we explore some of the residual evidence people claim has been left behind regarding the cited changes caused by the Mandela Effect — a phenomenon in which large groups of people have shared memories of specific facts and/or events contrary to the evidence that reality provides.

In this installment we shift to the fine arts and focus on one of the most popular (and valuable) pieces of work by Leonardo da Vinci that scholars are still analyzing today — the Mona Lisa.